Wednesday, 30 August 2006

Marlon Brando

In April 1996, whilst he was appearing on the Larry King Show, Marlon Brando said Jews were always depicted as humorous, kind, loving, and generous whilst they slander every other racial group:

"They are ever so careful to ensure that there is never any negative image of the Kike. We have seen the nigger, we have seen the greaseball, we have seen the chink, the slit-eyed dangerous Jap, we have seen the wily Filipino, we've seen everything but we never saw the Kike because they know perfectly well that’s where you draw the wagons around... Hollywood is run by Jews, owned by Jews and they should have greater sensitivity."
In fact Brando had made his feeling known much earlier than this. In the January 1979 issue of Playboy, he said:

"You’ve seen every single race besmirched, but you never saw an unfavorable image of a kike because the Jews are ever watchful for that. They never allowed it to be shown on the screen."
On page 154 of his autobiography, he says:

"I've never had any respect for Hollywood. It stands for avarice, phoniness, greed, crassness and bad taste."
On page 243 he bewails the ‘Beverly Hills psychoanalyst’ thus:

"Acting afforded me the luxury of being able to spend thousands of dollars on psychoanalysts, most of whom did nothing but convince me that most New York and Beverly Hills psychoanalysts are a little crazy themselves, as well as highly motivated to separate patients from their money while making their emotional problems worse."
A great many ‘Beverly Hills psychoanalysts’ would, of course, be Jewish.

When Brando moved to New York to begin an acting career, he began taking courses at the New York School for Social Research, which was dominated by Jews.

"I was largely raised by these Jews," he says. "I lived in a world of Jews. They were my teachers; they were my employers. They were my friends... As well as academics and scholars from Eastern Europe, Jewish girls, most of whom were more educated, sophisticated and experienced in the ways of the world than I was, were my teachers in those early days in New York." (Songs My Mother Taught Me, pp. 72, 74)
Brando's 'method acting' acting teacher was the Jewess, Stella Adler, whom he credits with having enormous influence upon him, in fact, he had a relationship with her daughter, Ellen, for many years.

Early in his career, Brando played an important role in a play called A Flag Is Born. This was written by the Zionist, Ben Hecht, and was directed by Stella Adler's brother, Luther. of this, Brando said:

"It was essentially a piece of political propaganda advocating the creation of the state of Israel ...

Everyone in A Flag Is Born, was Jewish except me ... I did not know then that Jewish terrorists were indiscriminately killing Arabs and making refugees out of them in order to take their land ... The play, as well as my friendship with the Adlers, helped make me a zealous advocate for Israel and later a kind of traveling salesman for it."
Brando began giving speeches for the Zionist organization, The American League for a Free Palestine and even contributed money to the Israeli terrorist group, Irgun. Eventually, however, his eyes were opened:

"Now, I understand much more about the complexity of the situation than I did then... I sided with Jewish terrorists without acknowledging that they were killing innocent Palestinians in their effort to create the state of Israel...

One of the strangest government policies is that largely because of the political influence of Jewish interests, our country has invested billions of dollars and many American lives to help Israel reclaim land that they say their ancestors occupied three thousand years ago." (Ibid. pp. 111, 231 and 388)
Within a week of his appearance on Larry King Live, Brando had been so cowed by the furious reaction his off the cuff remarks had caused that, flanked by Los Angeles Rabbis, he appeared, ironically, at a news conference at the Jewish ‘Museum of Tolerance,’ and offered a tearful apology.

The backlash that this episode evoked and Brando’s subsequent plea for forgiveness, corresponded exactly with his experience at the time of a 1979 Playboy interview.

You’d think a 72-year-old superstar would learn, wouldn’t you? Tell the truth if you want but tell the truth about the Jews and you’re in trouble, no matter how big a fish you think you are! Silly Marlon.

Less than four months after Brando’s 1996 apology, Moment Magazine, featured Michael Medved’s thoughts on the subject.

Medved, a prominent Washington Times columnist, film critic, and talk show host, opined thus:

"It makes no sense at all to try to deny the reality of Jewish power and prominence in popular culture. Any list of the most influential production executives at each of the major movie studios will produce a heavy majority of recognizably Jewish names…

The famous Disney organization, which was founded by Walt Disney, a gentile Midwesterner who allegedly harboured anti-Semitic attitudes, now features Jewish personnel in nearly all its most powerful positions..

Men and women of Jewish background enjoy a vastly disproportionate, if not dominate, influence in Hollywood."
Even those Hollywood studios which had been purchased by the Japanese Sony Corporation were still obliged to hire:

"… a Yiddish team of long-time industry leaders in all the most powerful positions. When Mitsushita took over MCA-Universal, they did nothing to undermine the unquestioned authority of Universa’s legndary, and all-Jewish, management triad of Lew Wasserman, Sid Scheinberg and Tom Pollack."
Medved said that most movie moguls graduated from Ivy League colleges:

"… where Jews are vastly over-represented just as they are in Hollywood."
Medved also told us that nepotism in Hollywood was rife, with Samuel Goldwyn Pictures being run by the son of the founder and, Tony Goldwyn, his grandson, poised to take over. Medved added:

"This dynastic tendency in American entertainment certainly is a factor in the continued prominence of the Jewish role...

Poll after poll, taken over the past 10 years, shows that the public believes this industry is more firmly associated with Jews than any other business in the world. That it is almost universally viewed as a destructive force in our society should be of concern…

The combined weight of so many Jews in one of America’s most lucrative and important industries gives the Jews of Hollywood a great deal of political power. They are a major source of money for Democratic candidates. The industry’s informal patriarch, MCA Chairman, Lew Wasserman, wields tremendous personal clout in state and national politics. So do Barbara Streisand, Norman Lear and others."
Medved's revellations did not bestir the Anti-Defamation League to action, nor did they incite any other organ of the Jewish establishment to furious riposte. The Jew can say what he wants about other Jews. We can’t. End of story.

The Jews have had a stranglehold on the ownership of, and the high offices within, the media of the Western world for a very long time now. They are able to dictate who is employed in the business of information and entertainment distribution at every level. Generally speaking, Jews do not seem to be bound by shame, conscience or legality in the same way as the rest of us are.

If the indigenous British were to attempt to practice a self-serving nepotism at a hundredth of the rate that the Jews do, there would be one hell of a fuss, and those who were trying to pull that particular stroke would be brought to heel pretty sharpish. But the Jew may not be touched, he may not be questioned or brought to book. The Jew can and does get away with just about anything. He will carry on in this manner until he is stopped.

As long as he controls our thoughts, opinions and desires via his vast over-representation in the media, such a stoppage is unlikely.

No comments:

Post a Comment